Question by jadebana: streched or unstretched canvas?
I would like to know why people when buying artwork decided on either stretched or unstretched canvas..
unstretched only means you will have to stretch it to hang it once purchased.. doesnt it?!
Also can someone tell me the benefits of painting/buying on stretched/unstretched… does purchasing a piece of art on stretched canvas (like the ready-to-paint-on ones from Art Supply shops) make t less valuable?
Sorry, lots of questions.. just curious
thanks!

Best answer:

Answer by Nomi
Most finished works of art that are painted on canvas are stretched, either over wooden stretchers or some other surface like wood. And most painters paint on canvas that has already been stretched. But some like to work on unstretched cavas that is, say, tacked to the wall. There are different reasons they prefer that, but the one I hear most is that they have more flexibility with where the picture ends; if they want to make the image bigger than the size they originally made it, they can do that more easily than if the edge is predetermined by being already stretched. The painter Bonnard http://images.google.com/images?hl=en&q=Bonnard&um=1&ie=UTF-8&sa=N&tab=wi often worked that way.

The ready-made stretched canvases are generally of lower quality, though they all should be archivally safe. I don’t think it makes much difference in future value — there are many famous valuable paintings painted on poor, even non-archival surfaces — but generally when you start using good paint, you want to put it on a high quality surface just because it’s nicer to work on. Though, there are plenty exceptions. Some artists want to work on old battered unprimed wood, for example.

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Have a look at Mike’s two dimensional work. Music by Roddy Ziebell mikemedow.com.

 

 

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Question by Rache: How can I make my bedroom more relaxing?
Sorry if this is long…u can skip down to the numbers if u want =)

I feel like if I have a more relaxing room then I will wake up better in the morning, and feel more energized because for the last few months i would say…i had a lot of trouble waking up in the morning and snoozing my alarm clock for about 45 mins to an hr.

1) I will first start off by painting it a very very light pale green. (I currently i have very dark/bright pink color, almost magenta)

I have a very light bed cover (colors are light light green and pink) so that I will decide to leave.

2) My furniture is all made out of wood like a very light color except my tv stand is black and it’s very nice so i dont plan to switch it to a lighter color.

3) My curtains are white and a dark purple…maybe i can switch the purple to a very pale yellow….or a different color.

4) I want to add a little house plant in my room and also a little fountain.

Do you guys have any other suggestions of how i can make my room more relaxing? I was thinking of maybe adding some pretty paintings or pictures on the walls like flowers or nice scenery. Or get one of those cheap but fancy lamps to hang on the wall that are kinda cute..something like this

http://www.google.com/imgres?q=crystal+ceiling+lamps&um=1&hl=en&biw=1024&bih=583&tbm=isch&tbnid=d1G8CNu7wlvTuM:&imgrefurl=http://www.comparestoreprices.co.uk/by-make/c/crystal-ceiling-lights.asp&docid=CUf0iBhLruBKZM&w=240&h=240&ei=1BU8TqWSM-_ZiALNopCADA&zoom=1&iact=rc&dur=229&page=4&tbnh=129&tbnw=129&start=38&ndsp=15&ved=1t:429,r:11,s:38&tx=42&ty=64

anyways…wat else would you suggest I can do? Thank you all in advance =)

Best answer:

Answer by Amy Rupprecht
if you want your room more relaxing dnt put to many different colors in there. i think a Light pink on the blue,pink or green would look good for the walls but only pick 1 other color to go in ur room, because if u dint ur room will not look relaxing.i hoped this helped.

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Filmed at AMF Village Bowl. Shown on Television around Australia in 2009 however this is the first time on Youtube! Apologies for the low quality Vision & Gr…
Video Rating: 0 / 5

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Question by Ana: The movement “Impressionism” acquired its name from?
a.the artist themselves
or
b. an art critic referring to a work by Monet

Best answer:

Answer by V P
b.

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More Photos!…

Slide10


Image by Pamela Valentine

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Question by Bob D: How do you define “Post-impressionism”?

Best answer:

Answer by Maturin
From http://www.metmuseum.org/toah/hd/poim/hd_poim.htm
“Breaking free of the naturalism of Impressionism in the late 1880s, a group of young painters sought independent artistic styles for expressing emotions rather than simply optical impressions, concentrating on themes of deeper symbolism. Through the use of simplified colors and definitive forms, their art was characterized by a renewed aesthetic sense as well as abstract tendencies.”
From http://en.wikipedia.org/wiki/Post-Impressionism
“Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brushstrokes and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.”
From http://www.answers.com/topic/postimpressionism
“Term applied to the reaction against IMPRESSIONISM led by Paul Cezanne, Paul Gauguin, Vincent van Gogh and Georges Seurat. It can be roughly dated from 1886, the year of the last Impressionist exhibition, to c. 1905, when Fauvism appeared and the first moves towards Cubism were made. While it was predominantly a French movement, there were related developments in other countries, which often occurred somewhat later. Post-Impressionism can be loosely defined as a rejection of the Impressionists’ concern for the naturalistic depiction of light and colour in favour of an emphasis on abstract qualities or symbolic content. It therefore includes NEO-IMPRESSIONISM, SYMBOLISM, CLOISONNISM, SYNTHETISM and the later work of some Impressionists. The term was coined in 1910 by the English critic and painter Roger Fry for an exhibition of late 19th-century French painting, drawing and sculpture that he organized at the Grafton Galleries in London.”

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